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≫ Libro Critical and miscellaneous essays Thomas Babington Macaulay Macaulay 9781172426485 Books

Critical and miscellaneous essays Thomas Babington Macaulay Macaulay 9781172426485 Books



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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Critical and miscellaneous essays Thomas Babington Macaulay Macaulay 9781172426485 Books

Five stars for Macaulay. One star for Forgotten Books.

Macaulay first: He was an excellent writer in the 18th-century style. He's wordy but eloquent, and his vast learning is obvious but not ostentatious. As he puts it in one of the essays, "Obscurity and affectation are the two worst faults of style." He rarely commits either. Anyone who has read Gibbon, Spencer, and other writers of that style, will forgive Macaulay the occasional purple passage.

Most of the essays are on literary subjects - either lives and works of authors (Milton, Machiavelli, Dryden), or are book reviews. The authorial essays are good broad overviews of their subjects' lives and works, together with Macaulay's opinions of them. The book reviews are biographies and histories of famous Englishmen, and Macaulay usually starts by giving his opinion of the book but digresses (at great length!) into his opinion of the events in the book. He was writing for an audience interested in subjects like the English Civil War and the Reform Bill, and familiar with most of their main characters and events. So be prepared for unexplained references to names like Hampden (Cromwell's cousin and aide in the Civil War), Burleigh/Burghley (chief minister to Elizabeth I), and Charles James Fox (parliamentarian of the late 1700s), and for untranslated quotes in Greek, Latin, and French.

Macaulay was an opinionated man, and minced no words in his essays. Watching him heap contumely on bad authors and on the Bourbon and Stuart monarchs gets monotonous after a while, but in general his criticisms have factual backing. There are exceptions: what he says about Sir Edward Coke in the essay on Francis Bacon is very close to libel. However, on the whole Macaulay was thoughtful about his opinions and makes them well worth reading.

As for Forgotten Books, the company name is appropriate. What they forgot is quality control. The book is a print-on-demand photocopy of one of those old books with two columns of close and tiny print. The font size (8 or so) makes legibility a problem even when the printing is clear, but regrettably Forgotten Books took no pains whatever to clear smudges and blurs from the lettering. Even with a magnifying glass, some of it is illegible. Furthermore, the copy frequently leaves off the last word of a paragraph, and every essay has 10-20 blank spaces where a whole line is missing. If you're good at guessing the context, you can fill in some of the blanks - but shame on a book company for defacing a fine work with a terrible printing!

Product details

  • Paperback 358 pages
  • Publisher Nabu Press (September 12, 2010)
  • Language English
  • ISBN-10 1172426481

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Critical and miscellaneous essays Thomas Babington Macaulay Macaulay 9781172426485 Books Reviews


Five stars for Macaulay. One star for Forgotten Books.

Macaulay first He was an excellent writer in the 18th-century style. He's wordy but eloquent, and his vast learning is obvious but not ostentatious. As he puts it in one of the essays, "Obscurity and affectation are the two worst faults of style." He rarely commits either. Anyone who has read Gibbon, Spencer, and other writers of that style, will forgive Macaulay the occasional purple passage.

Most of the essays are on literary subjects - either lives and works of authors (Milton, Machiavelli, Dryden), or are book reviews. The authorial essays are good broad overviews of their subjects' lives and works, together with Macaulay's opinions of them. The book reviews are biographies and histories of famous Englishmen, and Macaulay usually starts by giving his opinion of the book but digresses (at great length!) into his opinion of the events in the book. He was writing for an audience interested in subjects like the English Civil War and the Reform Bill, and familiar with most of their main characters and events. So be prepared for unexplained references to names like Hampden (Cromwell's cousin and aide in the Civil War), Burleigh/Burghley (chief minister to Elizabeth I), and Charles James Fox (parliamentarian of the late 1700s), and for untranslated quotes in Greek, Latin, and French.

Macaulay was an opinionated man, and minced no words in his essays. Watching him heap contumely on bad authors and on the Bourbon and Stuart monarchs gets monotonous after a while, but in general his criticisms have factual backing. There are exceptions what he says about Sir Edward Coke in the essay on Francis Bacon is very close to libel. However, on the whole Macaulay was thoughtful about his opinions and makes them well worth reading.

As for Forgotten Books, the company name is appropriate. What they forgot is quality control. The book is a print-on-demand photocopy of one of those old books with two columns of close and tiny print. The font size (8 or so) makes legibility a problem even when the printing is clear, but regrettably Forgotten Books took no pains whatever to clear smudges and blurs from the lettering. Even with a magnifying glass, some of it is illegible. Furthermore, the copy frequently leaves off the last word of a paragraph, and every essay has 10-20 blank spaces where a whole line is missing. If you're good at guessing the context, you can fill in some of the blanks - but shame on a book company for defacing a fine work with a terrible printing!
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